The IMPACT Printmaking Journal has been published online. In is the second edition of the journal borne of the IMAPACT Print Biennale that is in its twentieth year. Some ME members will know of IMPACT as they have participated in the international Conferences, most recently in Santander in 2018. The Journal is edited by Wuon-Gean Ho, who suggests it would be lovely to hear from you. ME member Edward (Jonnie) Turpie has an article in the new journal.
IMPACT stands for ‘International Multi-disciplinary Printmaking: Artists, Concepts and Techniques’, which takes the form of a conference that is run every other year. The next are scheduled for March 2021 in Hong Kong, and 2023 in Bristol.
The IMPACT Printmaking Journal is an open-access peer-reviewed academic publication. There is no fee to submit and no fee to read the articles. All articles published from Autumn 2020 onwards are published under a creative commons licence CC BY 4.0. For more information on this licence please see here
IMPACT Printmaking Journal supports scholarly and critical debate in the field of print: advancing technological knowledge, contextualizing print, talking about the poetry and language of print, and maintaining a showcase for print practitioners.
Novel contributions from academics, scientists, writers, philosophers, students, graduates and independent artists alike are warmly welcomed. All contributions will be peer-reviewed by a panel of peer-reviewers.
The IMPACT Journal is published by the Centre for Fine Print Research (CFPR) at the University of the West of England. ISSN 2732-5490